Erin Finlay, Partner, Stohn Hay Cafazzo Dembroski Heim Finlay LLP

Generative AI and other “disruptive” technologies often butt up against how we create, disseminate, and consume creative works. The debate isn’t new, but the technology feels bigger than anything we’ve seen before.

AI and copyright are certainly having their moment. Governments are consulting, holding hearings, encouraging voluntary codes, and passing legislation. Market solutions are starting to take hold. And the lawsuits are well underway.

But, is this really new battleground? And will copyright prevail? (Also, should it prevail?)

Keynote speaker Erin Finlay will examine whether copyright is well-equipped to handle the explosion of Generative AI and its impact on the books and magazines we write and publish, the music we compose and release, the games we design, and the movies and television shows we write, direct, and produce. Taking cues from the past and making predictions for the future, this keynote address will form the basis of a lively debate and discussion for the day that follows.

What kind of strategies, investments, and initiatives is your sector implementing to use generative AI in operations and content creation? Where do you see potential to use AI in your business? Are you experiencing challenges or barriers?

Rob Elsworthy, Founder of Resistr Interactive,
Program Director at Toronto Film School

AI offers game developers advancements on both the creative process and the technical workflow pipeline. See the process and results, and reflect on how the speed of Generative AI technology is defining future workforce opportunities.

How do you anticipate that generative AI will influence your company in the next five years (think about: ethics, workflow, workforce, other business models)? What does your sector need to prepare for the future (think about: tools, training, policies)?

Josh Pothier, Director, Kingsway Music Library

In 2022, Ging, f.k.a. Frank Dukes, the producer behind hits for The Weeknd, Post Malone, Camila Cabello created a generative music and art collection called “The Ghost of Frank Dukes" featuring visual and audio work generated by an AI-model he created to mirror his own artistic decisions and process and using his expansive archive of music. Josh Pothier, Director of GING’s Kingsway Music Library, will speak about his experience working on the ‘Ghost of Frank Dukes’ project, using AI as a tool, the growing amount of AI-generated music, and the future of artistic innovation in this environment.

Diane Davy, Executive Director, Work in Culture

Alan MacDonald, Chief Operating Officer, Chief AI Officer
Diamond Marketing Group

Discover the transformative power of AI in this focused 20-minute session with Alan, where cutting-edge meet practicality. As an expert in AI productivity, Alan will unveil innovative tools that redefine efficiency, from generating dynamic training videos with synthesized voices to a smart expense auditing assistant that streamlines financial processes. Witness firsthand how AI can revolutionize your workplace routine, optimizing tasks that range from drafting job listings to crafting the perfect interview question—all with a touch of AI brilliance.

Erin has deep roots in and passion for the creative industries as a singer and musician and she recently performed on the Grammy- and Juno-nominated Toronto Symphony Orchestra’s recording of Handel’s Messiah.

Beyond his professional work, Rob's dedication to inspiring the next generation of game creators is evident in his role as a speaker, panelist, and advisory board member for various workshops and events, including Tedx, Interactive Ontario, CODEX and the Black Youth Design Initiative. Through his involvement, he seeks to empower aspiring game creators to pursue their dreams and drive positive change in the industry.